Showing posts with label Abstractions. Show all posts
Showing posts with label Abstractions. Show all posts

Wednesday, May 6, 2009

Explorations Unit Abstraction: The Theatre of Everyday Life

Everyday life with the Art Deco movement encouraged a materialistic trend that exists to this day. Architecture and science (aerodynamic studies of the time) defined daily life as well as movies which defined people's fantasies. The design of consumer products is then defined by this newfound demand. What's popular is seen in products rather than in structures. Cars and products made of converging geometric shapes with rounded corners reflect the speed of industry and innovation. Much like computers dictate what and how we lead our lives today cars were a driving force for what is designed and where it will go. The popularity of industry went to the point of popularizing the workplace or the workplace being the center of this industrial design. From Behren's AEG turbine facility we see how industrial buildings are made by architects and from this more formal and traditional buildings are made in this architectural style. The Bauhaus represents this movement to very pronounced block forms and rhythmic facets.
The notion of structures being made out of iron and steel relates back to the ancient Grecians who built structures out of stone to immortalize themselves. However this ideal is not immortalizing as machines must always be maintained and they are always cast aside for newer designs. The current consumer attitude can be traced to this past of emerging industrialism. A nice LCD TV bought today will be outdated in terms of innovation and design in six months. How will the design styles past the reflections unit be defined when they are so short lived due to the turnover rate of machines and technology? Forgotten machines and their turnover rate relates to the "mcmansions" we mass-produce today. Because consumers change their place of residence so frequently there is little demand for well-made structures. The mcmansions  are built for the "here and now" rather than for the future and progression of innovation. Consumers are also more willing to pay high money for a nice car or ipod rather than for a nice house or even a nice roof that will save them money in the long run. The theatre of everyday life is about exploring new functions of the everyday life rather than maintaining the functions of everyday life.  


Citations:
decopix.com

Friday, April 17, 2009

Reflections Unit Abstraction: The Theatre of Everyday Life

The theatre of Everyday life in the new iron age brought people into contact with new forms of media and transportation that correlated with the creation of larger structures made of materials that blurred the lines of what is structural and what is decoration. 
New agora-like spaces are created by the french townhomes as they are built into each other adjacently. Because they exist in a public space they are grander and are made with a grander facade; an example of how the lines between upper and middle class are blurred. This blurring is also accomplished through the media in that books and magazines on culture and court life hearken to the past court etiquette manuals of Renaissance times. A new emphasis on court life is also brought on by the iron age, in that many first structures are created for the purpose of upper class social gathering. Glass as a new building material also brings on a focus on nature and nature as an avenue for court life. With the Crystal Palace of London 1851 large existing trees were built around rather than cut down so that nature is now seen within and around architecture. Perhaps architects were trying to say that architecture can dominate and live in harmony with the landscape. 

With Ledoux' Saltworks complex he seemed to have a vision to create a whole town out of the complex. This way of building a city from a "corporate" establishment can be related to the Greek cities that first formed first from military camps. Ledoux designed the complex with sun in mind as the semicircle is cleared out so the sun can radiate about. Ledoux said "A good environment makes for a good human being" (unesco.org). With this complex it seems that architecture dictates the everyday life. 
Jefferson's Monticello is another classic-inspired self sustaining complex that manufactures and profits from its environment. 
Both of these complexes were made mostly of stone, concrete and brick.

If anything this period shows us how classic architecture may be more self sustaining than the iron age metropolises that were blooming. Because archtects seemed to focus first on creating the ultimate party house as well as creating structures for the machines, sustainability was sacrificed for the exploration of the new technologies that would challenge the classic city/town. 

Citations:
Roth, Leland (2007). Understanding Architecture. Westview Press.
Blakemore, R. G. (2006). History of Interior Design and Furniture. Hoboken, New Jersey: John Wiley & Sons, Inc.
Royal Saltworks of Arc-et-Senans. Retrieved April 18, 2009, from whc.unesco.org Web site: http://whc.unesco.org/en/list/203/video

Friday, March 20, 2009

Foundations Unit Abstraction: The Theatre of Everyday Life

How is a civilization's daily life reflected through their architecture? From studying structures, furniture and other artifacts we can trace the origins of past civilization's interactions and ideals. 

Egyptians-
The Egyptians incorporated nature into all of thier building, as the nile river was one of the main sources for their limestone material for building all structures. Pyramids were made of the local stone materials creating a contrastingly large structure which blended with the sand of the desert. Egyptians furniture turned to animals in linkage to nature. The legs of furniture would often have animal like feet turned forward to show the natural position of the animal. Hieroglyphics often featured animistic figures to represent letters, words and meanings. Because cats were so greatly revered, they were seen as protectors of the people. They were domesticated by the Egyptians in 200 B.C. and were utilized in hunting parties to catch fish among other small game. The sphinx- another cat form is the symbolic protector of the land made by Pharaoh Kafre (4th dynasty).    
Although they eventually created chairs with slanted backs we see that early furniture as well as heiroglyphics of ancient Egypt dictate that straight posture was a large part of their ideal human form. Furniture such as chairs often had very straight backs, head rests placed on beds were like cradles for the head which would maintain straight posture even in sleep. The emphasis on straight posture may be related to cats as they were highly revered for their aristocratic manner conveyed through their prancy straight gait. 
Nature is also part of the very symbolic culture of the ancient Egyptians in that the sun, cats, the nile river among other things had vast importance to religion and the theatre of everyday life. Large ammassments of slaves were gathered in order to take on the pharoah's many building projects. They created pyramids to build up to and point to the sun. They were a physical manefestation of their pathway to afterlife. The nile river was another physical manifestation of the division of life and afterlife. The east side of the nile is life while death or the afterlife resides on the west side. In Someone's tomb all of their belongings such as furniture, slaves as well as pets are buried with them so that they may use them in the afterlife.
 

Greece-
Natural designs were reflected in Greek columns: The volutes of the ionic columns were related to ram or goat horns, Corinthian columns were based on acanthus leaves. Their furniture was also animistic in that the feet were modeled after animal paws. They differed from Egyptian design in that the paws were turned outward rather than in the direction the animal faces. Wealthy people showed hierarchy through the feet of chairs in that the feet were often on top of carved "reeds" to symbolize that the ruler's feet never touch the ground. 
Architecture was based on the symbolism of the the Greek gods as each city was modeled after and based on a the story of a god. Outside of the Erectheion in Athens, Athena was said to have beaten Poseidon in a fight in which Athena won therefore naming Athens after herself. The temple of Athena sits on the acropolis amongst the Erectheion and the Parthenon.  
The People of Greece sought to achieve "arete" meaning "quality and excellence attained from fine testing and refinement" (Roth 215-246) so that they would be immortalized through their accomplishments. This is evident in various facets from their orthogonal planning to their fine lined columns and temple cornices. A focus of democracy began through this: demos meaning the people and cracy meaning governed by the people. Although this truly meant only land owning free white men could vote there was still a great focus on civic interaction through the creation and use of agoras, theaters, and coliseums. 
Stone was the primary material of the Greeks. Forts were created in the defense against the surrounding "barbarians." Stone is also permanent relating to the immortality of arete.

Rome-
Structures such as theaters were built into hillsides so as to create a natural backdrop to the stage. Natural designs were also in their furniture continuing the tradition of animal forms. 
The Roman person was based on militarism and duty to the state. They refined past people's designs as well as the greeks through their engineering in aqueducts, roads, and arches. The Romans adapted their religion to be like the Greek religion of the Olympian Gods. Like the Greek the Romans had a large emphasis on civic life and like the Greek agora they had forums- spaces outlined by the basilica and other buildings. The emperors of Rome dictated much of the Roman culture through free entertainment and the architecture of theaters, baths, and stadiums. Bathhouses built on top of natural springs or fed from aqueducts cycled into the Roman's daily life. The typical roman would work from sunrise till noon, visit the bathhouse for the rest of the day then return home for a relaxing dinner. 
The Romans continued the use of stone as well as concrete and created new forms of columns such as composite columns- combinations of ionic, corinthian as well as influences from other designs.  

Citations-
Springer, Ilene (2001,4,1). The Cat In Ancient Egypt. Retrieved February 28, 2009, from touregypt.net Web site: http://www.touregypt.net/magazine/mag04012001/magf1.htm
Roth, Leland (2007). Understanding Architecture. Westview Press.